John Keat's "Ode to a Nightingale", "ode To Autumn" and "ode on a Grecian Urn"

The casual commentator of John Keats poetry would near for certain as shooting be impressed by the niminy-piminy and abundant exposit of its verse, the perpetual freshness of its phrase and the extraordinarily rich centripetal images scattered throughout its lines. But, without a deeper, more than intense tuition of his poems as mere p cheats of a larger whole, the reader may miss specific themes and ideals which ar not as readily app arnt as are the obvious stylistic hallmarks. Through Keats eyes, the world is a stake full of magisterial witness, both artistic and natural, whos inherent immortality, is to him a constant reminder of that man is irrevocably subject to disintegrate and death. This theme is cardinal which dominates a large portion of his novel poetry and is most readily apparent in tierce of his most noteworthy Odes: To a Nightingale, To spill and on a classical Urn. In the Ode to a Nightingale, it is the ideal beauty of the Nightingales numbers - as unchangeable as nature itself - in the Ode on a Grecian Urn, it is the perfection of beauty as art - transfixed and transfigured unendingly in the Grecian Urn - and in the Ode to Autumn it is the exquisiteness of the season - see and immortalised as part of the natural cycle - which tokenise interminable and idealistic images of profound beauty.

        In Ode to a Nightingale, Keats uses the primal symbol of a bird to exemplify the perfect beauty in nature. The nightingale sings to the poets senses whose ardour for its song makes the bird timeless and thusly reminds him of how his bear mortality separates him f rom this beauty. The poem begins: My heart ! aches, and a drowsey numbness pains (Norton 1845). In this first line Keats introduces his own immortality with the ache heart... If you want to get a full essay, recite it on our website: BestEssayCheap.com

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