Themes in The Great Gatsby

Themes in The capital Gatsby\n\n1. THE CORRUPTION OF THE AMERICAN hallucination\n\nThe American fantasy--as it arose in the colonial plosive and create in the nineteenth century--was based on the assumption that each person, no matter what his origins, could succeed in life on the fix basis of his or her proclaim skill and effort. The vision was somatic in the ideal of the successful man, just as it was embodied in Fitzgeralds own family by his grandfather, P. F. McQuillan.\n\nThe grand Gatsby is a figment about what happened to the American imagine in the 1920s, a period when the old values that gave perfume to the dream had been corrupted by the vulgar pursuit of wealth. The characters ar Midwesterners who watch come due east in pursuit of this sassy dream of money, fame, success, glamour, and excitement. Tom and Daisy mustiness have a gigantic house, a stable of polo ponies, and friends in Europe. Gatsby must have his wondrous mansion before he can feel reas sured enough to try to realise Daisy.\n\nWhat Fitzgerald seems to be criticizing in The Great Gatsby is not the American Dream itself but the corruption of the American Dream. What was once--for Ben Franklin, for example, or Thomas Jefferson--a whimsey in self-reliance and rugged work has become what cut Carraway calls ...the service of a vast, vulgar, and audacious beauty. The energy that might have at peace(p) into the pursuit of portentous goals has been channeled into the pursuit of power and pleasure, and a very showy, but essentially empty form of success.\n\nHow is this developed? I have tried and true to indicate in the chapter-by-chapter analysis, in particular in the Notes, that Fitzgeralds critique of the dream of success is developed in general through the five of import characters and through certain ascendant images and symbols. The characters might be split up into three groups: 1. Nick, the observer and commentator, who sees what has gone wrong; 2. Gats by, who lives the dream stringently; and 3. Tom, Daisy, and Jordan, the foul dust who atomic number 18 the prime examples of the corruption of the dream.\n\nThe primary images and symbols that Fitzgerald employs in developing the physical composition are: 1. the green begin; 2. the eyes of Dr. T. J. Eckleburg; 3. the image of the easterly and Midwest; 4. Owl eyeball; 5. Dan Codys yacht; and 6. religious impairment such as grail and incarnation.\n\n2. SIGHT AND INSIGHT\n\n two the character groupings and the images and symbols...If you want to get hold of a full essay, pitch it on our website:

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